Then he laughed that high, rapidfire laugh that sometimes makes its way into the beginnings and ends of his tracks, and sauntered off around a corner. Then he tossed a glance over his shoulder and offered his thoughts. He kept walking, and for a moment, I thought he was pretending he hadn't heard me. “Jay,” I said, as he strode past me, not turning his head, “I’m the guy who wrote the book about you.” Then, as I’d always planned, I offered a statement, not a question. As Jay-Z and I approached each other our eyes met, and his lingered for a split second before drifting away. Beyoncé stayed behind, engrossed in some other conversation. I took a step forward, just as Jay-Z and his bodyguards turned in my direction. It was to make that introduction and see what would happen. So on Sunday, when I walked out of the Porta-Potty into the muggy Philadelphia evening and saw Jay-Z standing with Beyoncé fifteen feet away, there was only one thing I could do (and it wasn’t belting the chorus to “Crazy in Love” in my best falsetto). More specifically, I wanted to introduce myself and observe what would happen, just to see, as a journalist, how he’d react-and give myself some perspective on the most significant professional project of my life thus far. After spending a year of my life researching the man, I felt I knew him as well as I could know someone I’d never met. I figured it would happen eventually, and I wasn't in any particular rush. On multiple occasions, I’ve found myself a dozen feet from him at concerts, separated only by a small barrier I sat six seats down from him and Beyoncé at the Michael Jackson Immortal show in Vegas last December, but they arrived after the show started and left before it ended, taking with them my chance to hear his reaction to my book. This wasn’t the first time I’d narrowly missed Jay-Z since writing Empire State of Mind(Penguin/Portfolio, 2011), an unauthorized biography of the rapper.
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I was saying, Hold on, like, How did I know that? I’d forgotten a lot. I hadn’t read it for 20 years myself, and I went back and read it this year. I had to do a lot of work to rationalize all these different viewpoints by sifting through all my research to try to find out what was the closest to the truth. Everybody had a different perspective, and everybody was at odds. In each interview, I would try to cull a few details that I could add to my scenes. The descriptive and scenic language is so detailed. I was impressed by how intensive your interviewing process must have been. I could have written a whole other book on Severin. I think I must have spent five or six hours with him. I was a single mom with a 3-year-old, so I couldn’t go to a chateau in the south of France, but I went to London. You have two choices: next weekend at my chateau in the south of France or the weekend after in my townhouse in London.” And he says, “Miss Forden, it’s Severin Wunderman. It would mean a lot to me if you would read these pages and tell me if there’s anything wildly inaccurate or if there’s anything you want to add.” And I’d just fed the last page into the fax machine and my phone rings and it’s him. Wunderman, I know you didn’t want to be interviewed for the book, but I’ve done this work. In those days, it was still fax, so I slipped the three pages into the fax machine with a cover letter and I said, “Dear Mr. I interviewed people all around the watch license, and I distilled it into three pages. I’m a very wealthy man, and I’m going to make the movie and your book is going to be nothing.” I was literally shaking in my boots. I knew Aldo, and I know everything about the story. He said, “ I’m going to write the Gucci book. I asked if he would talk to me, and he called me on my Motorola Brick cell phone when I was in the courtroom - the trial had started. The fees from the licensing kept the company afloat. At one point, I had reached out to Severin Wunderman, the watch manufacturer whose licensing of Gucci watches was always extraordinarily successful. I was uncertain about whether this book was going to be successful. Well, I didn’t feel the weight of that because I couldn’t have imagined it, but I did feel it was a really daunting enterprise and I felt very small. Did you feel the weight of that when you were writing it? Your book has become sort of the definitive telling of Gucci’s history. It took a while to complete the turnaround, but he was right. Sure enough, six months later, sales were through the roof. At the end, he said, “Give me just six months and I promise you, the wind will be back in our sails.” And they didn’t give him six months they forced him out well before that. He was spending all this money and he was running the company to the ground, but he had a longer-term vision, and he probably miscalculated how willing his Investcorp partners were in bankrolling him. And then the tragedy of him not being able to do it - I found that compelling, and I wanted to cement his legacy because I felt that he was going to be forgotten. The force of his desire to revive Gucci was very infectious. He was delighted, but he was also determined. The Cut spoke to her about how a family business turned murderous and what it was like to tell the Gucci story. The renewed interest in the story has been a chance for Forden to reflect on the events she meticulously narrated 20 years ago and to see the story from a new lens: that of a viewer. Scott’s script is based on Forden’s book of the same name, first published in 2000.įorden’s book, which centers on the story of Maurizio Gucci’s murder but also tells the company’s complete history, starting with its founder Guccio Gucci, has surged back onto the New York Times Best Sellers list. But long before the public started obsessing over the Gucci family story, journalist Sara Gay Forden was literally writing the book on it. It was further confirmation that HOG was a must-see every detail of it was impeccable, from Jared Leto calling a pink corduroy suit “chic-ah” (he’s not wrong), to Adam Driver looking glamorous in huge glasses and huge sweaters, to the way Lady Gaga says “but I am fer” and murderously taps her little espresso spoon. And then when the trailer finally dropped, the excitement was explosive. The second those gorgeously strange photos from set started trickling out, it was clear the movie was going to be huge - a Zeitgeisty perfect marriage of true crime and camp. Photo-Illustration: by The Cut Photos: Getty Imagesįor all of 2021, we’ve been anticipating the release of Ridley Scott’s House of Gucci.
The whole thing takes a bit of getting used to concept-wise but, strangely enough, it ends up working out pretty well (so long as you can drop your normal inhibitions for a while). Hitting a girl’s weak spot will instantly bring her to her knees and net you extra points, known as Mote Mote Points for some reason, in the process. Each girl also has a weak area, consisting of either her face, torso, hips, and legs. Clearly the best option is to shoot them, not with bullets, but with pheromones! By making use of Houdai’s newly-acquired Pheromone Shot, players are able to incapacitate the slew of oncoming ladies by “filling them with euphoria” (that’s how the game words it, but we all know what we’re actually doing, right?) until they become too exhausted to move. Beating them up would be pretty mean too though, since it isn’t really their fault. You would be wrong, though it’s a rail shooter! With all of the girls in Houdai’s local vicinity having essentially gone insane because of Eroko’s effect on Houdai, talking is out of the option. With a setup like that you may assume that Gal Gun: Double Peace a Dating Sim, or perhaps even some sort of bizarre JRPG. He needed to end up with someone with someone that he actually cared about quite a task when nearly every girl you see is literally throwing themselves at you in a desperate attempt to make you theirs. Though he may have the pick of the litter so-to-speak, Houdai needed to be careful. Nearly every girl he met would instantly fall in love (and, let’s face it, in lust) with him. Because of this, all of Houdai’s chances to find love would happen all at once in a single day. Panicking, Eroko accidentally pulled the trigger a little too hard and hit Houdai with a shot with over 30 times the intended power. Although Eroko initially had her shot lined up, she noticed that a Demon trainee also had their sights on Houdai. A student herself, Eroko had been given an exam that sent her down to Earth and required her to help out someone in need (of love, obviously). Before he even had time to process what it was, a trainee angel by the name Eroko appeared before him. One on a day much like any other Houdai Kudoki, the protagonist of the game, was walking to school when, out of nowhere, he felt something hit him. The story behind Gal Gun: Double Peace is pretty short and sweet. Does this fan-service-filled shooter manage to hold its ground on PC? Let’s find out! *ahem* Now, in less than two month’s time, Gal Gun: Double Peace has made the jump from PlayStation exclusivity onto Steam. Let’s just skip to the last part of this paragraph. There’s no way that I can make a normal-sounding intro considering what this game is actually about. Since early August, players have been… shooting women with a pheromone-powered gun while looking for their one true love with the assistance of an angel…? You know what, forget it. Inti Creates has certainly been making waves recently with its love-filled title, Gal Gun: Double Peace. Kiss kiss bang bang, Gal Gun: Double Peace is back! |
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